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Reality (the physical changes of the room and the emplacement of the phone on the wall) is subordinated to realism (the viewers' interest in seeing the family's reaction on the telephone conversation) in Vincente Minnelli's 'Meet Me in St. Louis' (1944).

Reality (the physical changes of the room and the emplacement of the phone on the wall) is subordinated to realism (the viewers' interest in seeing the family's reaction on the telephone conversation) in Vincente Minnelli's 'Meet Me in St. Louis' (1944).

Reality (the physical changes of the room and the emplacement of the phone on the wall) is subordinated to realism (the viewers' interest in seeing the family's reaction on the telephone conversation) in Vincente Minnelli's 'Meet Me in St. Louis' (1944).

Reality (the physical changes of the room and the emplacement of the phone on the wall) is subordinated to realism (the viewers' interest in seeing the family's reaction on the telephone conversation) in Vincente Minnelli's 'Meet Me in St. Louis' (1944).